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Galatea

Galatea is a name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.

Galatea is also the name of a sea-nymph, one of the fifty Nereids (daughters of Nereus) mentioned by Hesiod and Homer. In Theocritus Idylls VI and XI she is the object of desire of the one-eyed giant Polyphemus and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's Metamorphoses.She is also mentioned in Virgil's Eclogues and Aeneid.

Galatea Stamp Collection

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Antigua Barbuda 1983 The Triumph of Galatea by Raphael.

The Triumph of Galatea is a fresco by renaissance artist Raffaello Sanzio da Urbino, also known as Raphael. It depicts the character of Galatea, who appears in Greek mythology as a sea-nymph in love with a mortal. Raphael has immortalized the moment of Galatea’s apotheosis, when she becomes a being of the most divine level. The fresco is a testament to the humanization Raphael was able to bring to his work, and is the only work of Raphael’s based on a Greek myth. Singulart explains the myth behind the artwork and explores the composition of the fresco.

In Greek mythology, Galatea (meaning “she who is milk-white”) is a sea-nymph known as a Nereid. Although she had appeared in other classical Greek tales, the story of Galatea and Acis first appeared in Ovid’s Metamorphoses. She falls in love with Acis, a beautiful, mortal shephard who is the son of Faunus, god of the forest, and the river-nymph Symaethis. Although her heart belongs to Acis, Galatea is also pursued by the Sicilian cyclops Polyphemus. Polyphemus becomes enraged by Galatea and Acis’s affair, and strikes Acis with a boulder, killing him instantly. Blood then bursts from the stone, and a grieving Galatea turns Acis’s blood into the Sicilian river Acis, where he is immortalized as a spirit. 

Although the fresco is inspired by the tale of Acis and Galatea, Raphael has not chosen a scene that depicts the ill-fated lovers together. Instead, he has portrayed Galatea as she achieves apotheosis, which meant that upon her death she would ascend to join the fully divine beings, as a reward for her patience and endurance of trials and tribulations experienced in her life. 

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Antigua Barbuda 1983 The Triumph of Galatea by Raphael.

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Bulgaria 1984 The Triumph of Galatea by Raphael.(detail)

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Paraguay 1978 The Triumph of Galatea by Raphael.(detail)

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Oman The Triumph of Galatea by Raphael.(detail)

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Austria 1995 Die schöne Galathée (The Beautiful Galatea) operettby Franz von Suppe (1819-1895)

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Paraguay 1985 The Triumph of Galatea by Raphael.(detail)

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Italy 1970 The Triumph of Galatea by Raphael.(detail)

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Wallis and Futuna 1983 The Triumph of Galatea by Raphael.

The synopsis of the operetta : The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.

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Pygmalion was a talented Greek sculptor from Cyprus. After becoming disgusted by some local prostitutes, he lost all interest in women and avoided their company completely.

Pygmalion saw women as flawed creatures and vowed never to waste any moment of his life with them. He dedicated himself to his work and soon created Galatea, a beautiful stature of a woman out of ivory.

Ironically, the masterpiece of his life was this statue of a woman. Perhaps he sought to correct in marble the flaws he saw in women of flesh and blood.

Ussr 1984 Pygmalion and Galathée by Francois Boucher (1703-1770)

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