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Zeus and Europa

Europa  was the mother of King Minos of Crete, a Phoenician princess of Argive origin, after whom the continent Europe is named. The story of her abduction by Zeus in the form of a bull was a Cretan story;

Europa's earliest literary reference is in the Iliad, which is commonly dated to the 8th century BC. Another early reference to her is in a fragment of the Hesiodic Catalogue of Women, discovered at Oxyrhynchus. The earliest vase-painting securely identifiable as Europa dates from mid-7th century BC.

Zeus was enamoured of Europa and decided to seduce or rape her, the two being near-equivalent in Greek myth. He transformed himself into a tame white bull and mixed in with her father's herds. While Europa and her helpers were gathering flowers, she saw the bull, caressed his flanks, and eventually got onto his back. Zeus took that opportunity and ran to the sea and swam, with her on his back, to the island of Crete. He then revealed his true identity, and Europa became the first queen of Crete. Zeus gave her a necklace made by Hephaestus and three additional gifts: TalosLaelaps and a javelin that never missed. Zeus later re-created the shape of the white bull in the stars, which is now known as the constellation Taurus.

Zeus and Europa Stamp Collection

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In 1999, "La Poste" (the French Post) edited a stamp with a representation of this legend, and that during the exhibition "Liban, l’autre rive" (Lebanon, the other bank), which took place in The Arab World Institute in Paris (from October 27, 1998 to May 2, 1999). 

Roman Mosaic

Byblos, Lebanon  2-3 century bc

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Libanon 1971  Achilles Tatius (Book I, 1-1 & 1-2), observing the details of the Roman mosaic (third century), representing this kidnapping, discovered on the archaeological site of Jbeil (Byblos) and currently exhibited in the National Museum Beirut:

"Far out in the ocean was painted a bull breasting the waves, (...) The maiden sat on the middle of his back, not astride but sideways, with her feet held together on the right: with her left hand she clung to his horn, like a charioteer holding the reins, and the bull inclined a little in that direction, guided by the pressure of her hand. On the upper part of her body she wore a tunic down to her middle, and then a robe covered the lower part of her body (...). Her hands were held widely apart, the one to the bull's horn, the other to his tail and with both she held above her head the ends of her veil which floated down about her shoulders, bellying out through its whole length and so giving the impression of a painted breeze. Thus she was seated on the bull like a vessel under way, using the veil as a sail.".

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Slovenia  2001  Relief from the roman nakropolis in sempeter (today - slivenia)  in the most arresting tomb of the annii family. The tomb was built by quintus anius for his wife and daugher kalendina. On the front facing plinth there is a fine relief of Europa riding the bull.

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The entry of Libanon to Unesco in 1948  was sybolized by 4 stamps. one of them was an allegory of Europa on the bull.

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 Austria 2006  A stamp depicting a statue of Europa created by French sculptor Roger Louis Chavanon (1941-2010), printed by photogravure, and issued by Austria to commemorate the 50th anniversary of EUROPA stamps plus an image of a photograph of the statue, at the Inauguration of the  statue at the KAD building in Luxembourg

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Slovenia 2003  Abduction of Europa  - Waterball European Camoionship in Ljubljana and Kranj

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Cyprus 2002   The Rape of Europa (Francesco di Giorgio Martini - Siena 1439-1501 The painting from 1464

Here is the whole painting :

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Spain 1966   Abduction of Europa  

Europa (C.E.P.T.)

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Manama 1972  The Rape of Europa - by Veronese

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Paraguay 1973   The Rape of Europa by Veronese

This painting is part of the decoration in the Sala di Anticollegio. 

Painted between 1576 and 1580. It represents the mythical rape of Europa by Jupiter in the guise of a bull, as she prepares to mount on the god's back with the help of her maids. The action unfolds towards the right in the manner of a stage sequence, in successive scenes down to the final plunge into the waves of the sea. The composition clearly marks the moment of transition from Renaissance Classicism to seventeenth-century Arcadia. The sumptuous decor and rich colouring were to provide a seminal experience for subsequent Baroque painting. 

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Greece 1991   Europa (C.E.P.T.) Abduction of Europa - Decoration from an attic ceramic vase - 500 bc

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Princess Europa riding on Zeus as a bull

Switzerland 1995  Europa(C.E.P.T.) Abduction of Europa

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Greece  1974  stamp day - The stamp from Crete of 1905

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Cypriot clay statuette with the oldest r

Cyprus  2002  Abduction of Europa - "Europhilex 02"  a statue of clay   (7th-6th cent. B.C.)

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Cyprus  2002  Abduction of Europa "Europhilex 02"  Silver coin of Stasioikos (449 B.C.)  king of Marion

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Cyprus  2002  Abduction of Europa - "Europhilex 02"  Cypriot clay oil lamp (1ST cent. B.C.)

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Spain  1973  Europa (C.E.P.T.)  Abduction of Europa 

Mosaic from Merida museum

Here is the real mosaic:

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Romania  2001  Abduction of Europa Romanian Presidency of Org. of Security and Coop. In Europe

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Bosnia-herzegovina 1997  Zeus is approching Europa as a bull -

 Europa (C.E.P.T.)

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Poland  1979  International Philatelic Exhibition EUROPHIL '79

Abduction of Europa by  Bernardo Strozzi, named il Cappuccino and il Prete Genovese (1581 –  1644)  Italian Baroque painter and engraver

The painting is from 1640-1644

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